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The Support I Get So That I Can Work Might Be Taken Away

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We hear a lot from the government slating the minority of people who don't want to work - who want to 'sit around' claiming benefits - alongside a lot of positive talk about how they want to help disabled people who are able to work, and certainly want to work, find a job.

In theory I'm somebody they should be using as a success story. I'm disabled, I work six days a week running my own craft business, and I employ 11 people. I also have a successful media career. I'm only able to do all of this because I get support under the government's Access to Work scheme - but I'm totally stressed out at the moment because it's under review and I've been told that it might be taken away.

Awards from Access to Work have helped me for a few years now. I have brittle bones disease, I suffer with pain as a result, and I'm a wheelchair user. I use the money to employ a support worker at a cost of £18 an hour to assist me with things I'd find impossible to do otherwise - things like getting around, and carrying and lifting heavy objects.

Every three years you have an reassessment with Access to Work and after my last assessment a couple of months ago I got some really worrying news.

They told me it was unacceptable that my business has been running at a loss for the past two years, and that they don't think they should give me the money to carry on working. They don't take into account that with a new business you don't expect to make much of an income initially.

They also don't take into account that with my other work - my media career - you tend to have better times and leaner times - and media work doesn't always pay as much as you might think.

The upshot is I've got until the end of August to write a full-time diary of every single job my support worker does for me, and provide three months of accounts, and then then they will decide if I am earning an 'acceptable' standard of living. Although they can't tell me what this acceptable level would be, other than the minimum wage.

I hope I'll be alright - but I'm really scared and nervous about it all and I'm angry.

I work six days a week - I employ 11 people - how much more do they want me to do? My business pays in the region of £800 per week in VAT. If they stop my Access to Work I'll have to close my business, make my staff redundant, and claim a whole range of benefits instead.

If they reduce the award I get, I'll have to make a choice between either the craft shop, or my 20 year media career.

I'm not the only person having problems with Access to Work at the moment.

An acquaintance of mine Jacqueline is the CEO of Universal Inclusion and Chair of Fluidity, the UK Forum for People with Hidden and Fluctuating Conditions.

She recently submitted information to the Select Committee Investigation into Access to Work, which talked about the difficulties Fluidity's members have been experiencing with the service following its recent restructure. She is also facing challenges personally with the administration of her own award.

The submission highlights how prior to the restructure, people using the service had direct access to a personal advisor, but more recently they have to deal with advisors through call centres.

Fluidity's members say that since this change they have had to speak to countless people about their awards, and many are asked to repeat their history each time because records haven't been updated. It's tough having to repeat personal information over and over again.

They think that call centre staff, while by on large doing their best, are being instructed to say specific things around response times, which Access to Work are then not sticking to. But some have described how they have found the manner of other call centre staff to be 'upsetting and intimidating'.

Fluidity's members have also reported long delays at the application stage, delays with payment for support, and delays when people request additional support due to a change in circumstances.

All of this is leading to - at best - frustration and delay - and at worst - disabled people becoming vulnerable and not supported.

Fluidity's members are concerned that the focus on cutting costs demonstrated by the introduction of call centres means that there's a move away from the more flexible and supportive approach that people are used to, to one that's becoming increasingly cumbersome.

It's really worrying stuff. Access to Work is a brilliant established scheme - and it makes good financial sense too. For every pound the treasury invests in the programme the treasury get £1.88 back.

It helps lots of disabled people like me find and stay in employment and I just hope that my experience, and the experiences of members of Fluidity UK aren't warning signs that things are set to change.

ALS Ice Bucket Challenge: Jeremy Clarks Blasts His Kids As They Soak Him In Cold Water Following Piers Morgan's Nomination (VIDEO)

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If anything was going to get Jeremy Clarkson to voluntarily embarrass himself online, it was going to be the prospect of getting one over on Piers Morgan, wasn’t it?

Of course, when we say ‘voluntarily’ embarrass, we mean he voluntarily shared it, but it seems the ‘Top Gear’ presenter has actually become the first celebrity to take part in the ALS Ice Bucket Challenge against his will.

Jeremy posted a video onto his Twitter page that shows him napping on a sun-lounger, only to be awoken by his son, who starts a totally non-suspicious conversation with him before reminding his dad that he’d been nominated - by Piers Morgan no less - for the challenge.

It takes him a moment to twig, before he finds himself having a load of ice cold water chucked over him, all in the name of charity.

Still, Jeremy didn’t seem too happy to have found himself unwittingly taking part in the challenge, bellowing “MOTHERF***ERRRRRRRRRS” at the camera.

Watch his Ice Bucket Challenge video below, but be warned he does drop quite a hefty f-bomb right at the end…



On his Twitter page, Jeremy then nominated fellow ‘Top Gear’ stars Richard Hammond and James May to take part in the challenge next, which is intended to raise awareness of amyotrophic lateral sclerosis, better known as motor neurone disease here in the UK.

Meanwhile, Pamela Anderson recently became the first celebrity to refuse to participate in the challenge, claiming that the ALS Association’s use of animal testing went against her beliefs as an activist for animal rights.



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ALS Ice Bucket Challenge: 'TOWIE' Star Dan Osborne Is Naked As He's Soaked In Freezing Water (PICS)

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Dan Osborne is clearly suffering from a very serious condition. The ‘TOWIE’ cast member appears to be allergic to clothes. That can surely be the only reason that he’s decided to take on the ALS Ice Bucket Challenge completely in the buff, right?

While the Ice Bucket Challenge has so far been a brilliant way to raise awareness of Amyotrophic Lateral Sclerosis - better known as motor neurone disease here in the UK - and make some money for the ALS Association, it’s also given us a pretty decent excuse to look at stars like Calvin Harris, Justin Bieber and David Beckham soaking themselves in water with their tops off.

Talk about a win/win.

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Dan Osborne takes on the Ice Bucket Challenge


However, Dan has now taken this to the next level, and undergone the challenge completely in the nude, while sitting in what appears to be his back garden.

Before being doused in the ice cold water himself, Dan nominates fellow ‘The Only Way Is Essex’ cast member James Lock, TV presenter Vernon Kay and former ‘X Factor’ singer Rylan Clark.

He then finds himself soaked in the freezing water, only to run off, but not before giving us a glimpse of his bum.


Cheeky.


Phew, we think we might need to douse ourselves in some ice water after seeing that...

Dan recently announced that he is to become a father for the second time, with his ‘EastEnders’ actress girlfriend Jacqueline Jossa breaking the news of her pregnancy last week.

Thankfully, Dan seemed a bit more willing to take part in the Ice Bucket Challenge than ‘Top Gear’ star Jeremy Clarkson, who blasted his kids when they woke him up from his nap, only to soak him in water.

Meanwhile, Pamela Anderson has outright refused to take part in the challenge, claiming the ALS Association’s animal testing goes against her beliefs as an animal rights activist.



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ALS Ice Bucket Challenge: Benedict Cumberbatch Gets Involved, 'Sherlock' Actor Is Soaked FIVE TIMES In Two Minutes (VIDEO)

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Benedict Cumberbatch is clearly taking the ALS Ice Bucket Challenge seriously, getting a load of cold water chucked over him not once but five times in a two-minute YouTube video.

The ‘Sherlock’ star takes on the challenge in a suit, on a motorbike and even naked in the shower in his video, which is intended to raise awareness of amyotrophic lateral sclerosis, better known as motor neurone disease here in the UK.

Benedict takes a bucket of cold water for each of the five nominations he has received since the trend began, and pulls some of his trademark funny faces in the process. We are, of course, talking about this face…

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...and this one…

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...and this one. With a bit of a partial nudity bonus thrown in. Well, it is for charity.

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Watch Benedict get soaked a whopping five times in the video below. Trust us, you won't regret it...



And while Benedict’s shower soaking might seem brave, that’s nothing compared to ‘TOWIE’ cast member Dan Osborne who got completely in the buff in his back garden for his Ice Bucket Challenge video.

Luckily, both Benedict and Dan seemed a lot more willing to take on the challenge than ‘Top Gear’ presenter Jeremy Clarkson, who seemed rather irked to be disturbed from his nap only to be soaked with a bucket of freezing water. Funny that.

Meanwhile, Pamela Anderson recently became the first major celebrity to publicly turn down the Ice Bucket Challenge, claiming the ALS Association’s use of animal testing conflicted with her beliefs as a staunch activist for animal rights.



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'Game Of Thrones' Star Alfie Allen Talks About His Rogue Role In Thriller 'Plastic'

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Fresh from his triumph in 'Game of Thrones', Alfie Allen stars in 'Plastic', a thriller based on a shocking true story.

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Alfie Allen goes blond and rogue for his role in 'Plastic'


'Plastic' tells the tale of five British students who, in a desire to ‘get rich quick’ develop an innovative credit card scam to fund their excessive lifestyles. However, things get out of control when wild card Yatesy (Alfie Allen) gets greedy and inadvertently rips off notorious crime boss Marcel (Thomas Kretchmann, Captain America: The Winter Solder).

WATCH ABOVE: Alfie Allen Talks About His Role In 'Plastic' In Our Exclusive Clip

When Marcel threatens to control their lives - and livelihoods - for the foreseeable future in the ultimate payback, the gang’s only option is to pull off a desperate, high stakes heist in Miami.

In a scam that involves everything from private planes to impersonating royalty, Yatesy and his pals have their hands full, however, when the team start double crossing each other things take a turn for the worse…

'Plastic' is available on digital release from 25 August and Blu-ray and DVD on 8 September. Watch the trailer below...



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‘Strictly Come Dancing' 2014: Former ‘TOWIE' Star Mark Wright Joins Dance Show Line-Up

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Mark Wright is the latest celeb confirmed to be getting their dancing shoes on for the upcoming series of ‘Strictly Come Dancing’.

The former ‘TOWIE’ star is the third confirmed male contestant, after Thom Evans and Simon Webbe.

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Judy Murray, Frankie Sandford and 'This Morning' presenter Alison Hammond are also taking part.

Mark has shared his excitement ahead of the series, revealing that he’s slightly worried about being so far out of his comfort zone.

"Doing ‘Strictly’ is going to be so completely different from anything I've done before. I'm the sort of guy who loves to bust out some moves at a party but I'm certainly not a natural dancer,” he explains. “Any of my friends would tell you that - they call me Markey no-moves!”

“I'm genuinely petrified about dancing on national telly but ‘Strictly’ is such an amazing show to be a part of and I can't wait to get stuck in and give it my all!”

Despite previous reports, Mark’s fiance Michelle Keegan isn’t thought to be signing up for the show.

Check out all the celebrities rumoured to be getting their dancing shoes on below...



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‘Celebrity Big Brother': Gary Busey Continues To Clash With Housemates As Leslie Jordan Gets Revenge (PICS)

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Gary Busey is still having trouble getting on with his fellow housemates in ‘Celebrity Big Brother’ and his latest clash was with actor Leslie Jordan.

However, in a shock twist, Leslie has been given the opportunity to get revenge on Gary as part of the Scrapheap Challenge Task.

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Leslie loses his temper


After being voted the Star Of The Show by viewers, Leslie got to pick two housemates to live on the ‘Celebrity Scrapheap’, and he wasted no time before choosing Gary and Frenchy.

Gary and Leslie’s row started over the seemingly small issue of what CGI stands for, however, Leslie soon lost his temper with the actor.

“When I want your critique, I’ll ask…I’ll just tell you to shut the f*** up,” he shouted. “You have managed to alienate every single person in this House…How do you treat your four year old son? Do you treat him with any type of kindness?"

“You have managed to alienate every single person in this house,” Leslie continued. “How do you treat your four year old son? Do you treat him with any type of kindness?

“You act like you’re this big spiritual guru and you have not exhibited one ounce of kindness to a single person.

“And wipe that smirk off your f***ing face. You better stay the f*** away from me.”

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Gary and Frenchy on the scrapheap


Leslie has also failed to get along with Frenchy, whose late night antics and lengthy pre-bedtime rituals have contributed significantly to his lack of sleep.

Despite their protests, both Gary and Frenchy now have to live outside on the scrapheap, wearing overalls and being fed scraps from a bucket.

Pretty much all of the housemates have clashed with Gary at some point, including James Jordan, who had a huge row with the Oscar nominated actor after homosexual jibes.

It’s not all been rows and disagreements though, we’ve also seen plenty of flirting and um, toe-sucking.



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‘Celebrity Big Brother' Housemate George Gilbey And His Family Axed From ‘Gogglebox'

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George Gilbey better hope his stint in ‘Celebrity Big Brother’ leads to more opportunities, as his family have been dropped from the upcoming series of ‘Gogglebox’.

The show’s producer Chantal Boyle has stated that she doesn’t think the show “would work” with the Gilbey family, now that George is pursuing his own showbiz career.

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George Gilbey


The premise of ‘Gogglebox’ is that viewers see other ‘normal’ people watching television in their own homes.

Chantal has told The Mirror that the family are looking to make some extra cash, stating: “It’s all about money.

“They are pretty cash-strapped and so you can see why they would accept the offer to go on Big Brother.

"But we can’t have them in the new series of ‘Gogglebox’.”


The new series of ‘Gogglebox’ is due on screens later this year and will feature a number of new households alongside everyone’s favourite families - Steph and Dom, we mean you.

George has been in the ‘CBB’ house for less than a week but he hasn’t wasted any time getting to know the celebs and has even been - grab a sick bag - sucking people’s toes.

It hasn’t all been fun and games though, as there have been a number of rows and disagreements, many of which involve actor Gary Busey.



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Reading Festival Day One: Queens Of The Stone Age Perform First Ever Headline Set, As Jamie T's Secret Gig Delights Festival-Goers (PICS)

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Friday at Reading Festival should have been all about Queens Of The Stone Age, who were headlining for the first time.

However, a certain Mr Jamie T managed to become the most-talked about act of the day.

After plenty of rumours, the Wimbledon-born singer took to Twitter on Friday afternoon, confirming that he was set to perform at one of the event's smaller stages.




By 7.15pm, the tiny tent was packed and latecomers had no chance of seeing the musician’s long-awaited return.
After launching into a rendition of ‘The Man’s Machine’, Jamie wasted no time turning his focus to his new material, performing ‘Don’t You Find’, the first track from his upcoming album ‘Carry On The Grudge’.

Much to the delight of the crowd, Jamie made room in his ten song set for old favourites ’If You Got The Money’ and ‘Sheila’, before closing with ‘Sticks’N’Stones’ as crowd surfers were pulled over the barrier.

Queens Of The Stone Age’s headline set didn’t disappoint either, though the crowd were nowhere as raucous as the hordes who saw Jamie T earlier in the day.

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Josh Homme of QOTSA


Their whistle stop tour through their hit-laden back catalogue included renditions of ‘But I Feel Like A Millionaire’ and ‘Sick Sick Sick’, after making the bold decision to make ‘No One Knows’, arguably one of their most well-known tracks, the second song of their set.

While Paramore’s set was plagued with technical difficulties and sound issues, there were none of these problems for Josh Homme and his band, who loudly stormed through their gig.

Other highlights of the day included grunge duo Drenge and Wilderness Festival headliners Metronomy. Tonight, Arctic Monkeys will headline the Festival.

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'Doctor Who' Review - 'Deep Breath' Peter Capaldi's Debut Episode Finds Tardis In Safe Hands

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Matt Smith’s surprise appearance, despite handing over the baton to a new but old Doctor Who, was just one of the sweet delights in Peter Capaldi’s debut full-length episode.

Except there was so much more besides, with show runner and this episode’s writer Steven Moffat seizing every opportunity to indulge himself, his new leading man and the audience.

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Peter Capaldi proved a multi-layered delight in his debut episode as Doctor Who


When he wasn’t making jokes about Scotland – “my eyebrows are so angry, they want to cede from rest of my face,” announced the Doctor a propos of nothing – he was tipping big winks to the stalls - “I need clothes… a big long scarf… no, it’d look stupid” was one aside – and finally a sweet treatise on how important it is, crucial for the planet’s future even, to put aside the beauty and charm of youth for the wisdom and wit of age.

From the freshly stripped-down titles, courtesy of a fan’s efforts gratefully received by Moffat and Co, and the first glimpse of industrial gothic city riverscape, it was business as usual for the new Doctor…. A dinosaur wandering up and down the Thames of Victorian London. A playful Lizard Lady who seemed to be the only ‘person’ with half a clue what was going on. And a restaurant full of diners whose wine glasses never quite reached their mouths.

With the doctor still weakened by his arrival, much depended on Clara for a lot of this episode, and a glowing Jenna Coleman stepped right up, pretty as a peach and bustling around like Jane Austen’s Elizabeth Bennett, full of confusion, suspicion and, yes, grief for the Doctor she thought she knew.

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Clara had to redefine her relationship with the Doctor she thought she knew


However, by the time it was established that behind all the mischief and mayhem it was, in fact, just a cyborg-man recycling human parts to get to the Promised Land – as you do – the Doctor was back, Peter Capaldi firing on his many cylinders and finding superb layers between eyeball-rolling rants that stayed (just) this side of Malcolm Tucker, and plaintive pleadings with the cyborg to find his humanity – holding up a mirror all the while, just in case we missed the subtext!

However, this was all a big, involved aperitif to the main dish of the night, Clara and the Doctor’s movement towards a tentative acceptance of one another – and this was where Steven Moffat once again reminded us that, while 'Doctor Who' may be masquerading as kid-friendly sci-fi, when it lifts its veil like the Lizard Lady, it reveals its ease with moving metaphysics of a most adult kind.

What did you think of Peter Capaldi's performance? Let us know your thoughts below...

When Clara bemoaned earlier, “He didn’t look renewed. He looked older,” she might have been mouthing the groans of many a Matt Smith fan, as both Moffat and Capaldi WELL knew. When the grey, lined Doctor asked her to “Just see me,” this was their response. And then came the little bit of magic, when Clara was beseeched by none other than young Matt himself to help his older version, for they were both one and the same. Perfect.

Never was it clearer that this was a regeneration, not a rejuvenation, in Doctor Who’s most hallowed traditions, that much will be demanded of its youthful audience. But, if the challenges may be great, so too will be the rewards. Judging by Peter Capaldi’s debut episode, the Tardis is, once again, in very safe hands.



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‘Strictly Come Dancing' 2014: ‘Casualty' Actress Sunetra Sarker Joins Star-Studded Line-Up

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‘Strictly Come Dancing’ bosses have revealed the next star to sign up for this year’s series, revealing that ‘Casualty’ actress Sunetra Sarker is joining celebs including Frankie Sandford and Mark Wright.

The actress is the seventh person confirmed for the new series of ‘Strictly’ in as many days.

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Sunetra Sarker


Sunetra is understandably excited - and nervous - to be getting her dancing shoes on, stating: “I don't quite know what I've let myself in for... I'm in total denial!

“But the chance to swap my stethoscope for sequins was just too tempting. I am very excited to be part of the Strictly team!”

Sunetra plays Dr Maya Hanna in the hospital drama and she's also starred in 'Doctor Who' and 'Brookside'.

Judy Murray, Alison Hammond, Thom Evans and Blue singer Simon Webbe will also be donning sequins and attempting to perfect their foxtrot.

By the looks of things, BBC bosses will continue to announce one star a day until the line-up is complete and there have been plenty of rumours suggesting who could be next to sign up.

Check out all the celebs who might be swapping red carpets for the dancefloor below...



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Cliff Richard Interviewed By Police Under Caution

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Sir Cliff Richard has been interviewed under caution by South Yorkshire Police detectives investigating a sex crime claim involving a young boy.

The veteran star voluntarily met members of South Yorkshire Police at their premises yesterday, and was not arrested or charged.

South Yorkshire police said they had spoken to a 73-year-old man.

"The man was interviewed under caution but was not arrested. He entered South Yorkshire Police premises by arrangement."

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Cliff Richard was interviewed under caution by police


The singer's Berkshire apartment was searched by police last week as part of the investigation into an alleged sexual assault at a religious event in 1985.

A spokesman for Sir Cliff said last night: "Today Sir Cliff Richard voluntarily met with and was interviewed by members of South Yorkshire Police. He was not arrested or charged.

"He co-operated fully with officers and answered the questions put to him. Other than restating that this allegation is completely false and that he will continue to co-operate fully with the police, it would not be appropriate for Sir Cliff to say anything further at this time."

Sir Cliff was in Portugal when the search took place on August 14.

His fans have rallied round the veteran star since the allegation became public and are showing their support by buying copies of his 1992 Number Seven hit I Still Believe In You with the song headed for this weekend's Top 40.

It emerged earlier this week that he has pulled out of a visit to the US Open tennis championships and turned down the freedom of his adopted Portuguese home city of Albufeira.

He also cancelled an appearance at a charity event at Canterbury Cathedral next month because he did not want the event to be "overshadowed by the false allegation".

CLIFF RICHARD:


Meanwhile the BBC has been accused of a ''cover-up'' over its role in the raid by officers from South Yorkshire and Thames Valley police.

South Yorkshire police chief constable David Crompton claimed the corporation appeared to ''distance itself from what had happened'' after it broadcast the raid on the pop star's penthouse.

The BBC, which had a film crew on the scene, broke the news of the search but has been heavily criticised for its handling of the story.

Mr Crompton said the BBC's misleading and inaccurate portrayal of its involvement in what happened led to the force making a formal complaint.

Keith Vaz, home affairs committee chairman, said the claims were a ''matter of deep concern''.

He has summoned the chief constable and BBC director general Tony Hall to appear before the committee on September 2.

Mr Crompton said the force was approached by a BBC journalist with detailed information about its investigation.

It ''reluctantly agreed'' to give the reporter notice of the day officers planned to search the property to dissuade the corporation from publishing details in advance and protect the ''integrity of the investigation''.

''It was not done in order to maximise publicity, contrary to some press reports,'' he wrote in a letter to Mr Vaz.

Mr Crompton said an article appeared on the BBC website on the afternoon of the raid that suggested there had been a deliberate attempt to ''ensure maximum coverage'' by the force.

''The force contacted the BBC but the corporation refused to withdraw or adapt the article,'' he said in the letter.

''This appeared to be an attempt by the BBC to distance itself from what had taken place and cover up the fact that it had initiated contact with the force about the story.

''This was misleading and was known by the BBC to be inaccurate.''

Lord Hall has insisted that BBC journalists ''acted appropriately'' in its coverage of the story.

A BBC spokesman said: ''We have set out our position.

"The story was clearly in the public interest. The police complained specifically about an analysis piece on the BBC website and subsequently, and highly unusually, we confirmed that South Yorkshire Police was not the source of our story.''

‘EastEnders' Spoiler: Bianca And Terry Share A Kiss - Will They Reconcile Before Leaving Albert Square? (PICS)

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‘EastEnders’ viewers already know that Patsy Palmer and Terry Alderton, who play Bianca and Terry, will leave later this year - but bosses have been remaining tight-lipped on whether they’ll go together.

Now, it seems the former couple could be set to rekindle their romance before leaving Albert Square.

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Bianca and Terry


After an explosive row in next week’s episodes, the pair share a passionate kiss - but is it enough?

The pair have never had it easy and with Nicole on the scene, things have got even worse.

Elsewhere in Walford, the police are still trying to piece together the events which occurred in the run-up to Lucy Beale’s death and Rainie Cross is back on the scene to cause more trouble.

So far, Rainie’s been responsible for Mick Carter’s arrest and she’s causing plenty of problems for Ian Beale.

Tanya Franks, who plays Rainie, is understandably excited to be back on the show, and, speaking to Huff Post UK, she revealed why Ian may not be so innocent after all.

Watch ‘EastEnders’ on Tuesday 2 September to see the events unfold.



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Danniella Westbrook's Fiance Tom Richards Makes Drug Admission: ‘I Took Cocaine With Her'

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Danniella Westbrook’s fiance Tom Richards has spoke out following the actress’s drug relapse, revealing that he took cocaine with her.

Last week, the former ‘EastEnders’ actress admitted that she was seeking help after relapsing, following 12 years clean.

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Danniella Westbrook


Now, Tom has admitted that rather than helping Danniella seek help, he used drugs with her.

Speaking to The Mirror in LA, he states: “I should have helped her but I took drugs with her too.”

“I couldn’t forgive myself if I let Danni take all the responsibility for ­taking cocaine.

"I used it with her too.

“We all make our own choices... but I wish I’d done more and prevented what happened. I feel so guilty.”

Tom also reveals that he previously struggled with his own drug issues, admitting that he kept his cocaine a secret from Danniella when they first started their relationship.

“I had a fear if Danni found out I did it recreationally, it would put her in a position where she could ­potentially fall apart and I didn’t want to tell her,” he explains. "I could see it unravelling.

“But I didn’t know she was using too – and when I did, we started ­using together despite me knowing she could go back to being this drug addict.”

Since her relapse, Danniella has spoken out a number of times and is currently seeking help in the US, where she first got clean 12 years ago.

Speaking via videolink, Danniella broke down during an interview on ‘This Morning’, where she admitted she’s glad the press found out about her relapse as it was “the intervention I needed”.

Danniella’s relapse came after a tough few months, during which she had a miscarriage and was burgled.



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Arctic Monkeys Headline Reading Festival: ‘AM' Creators Face Sound Issues Closing Day Two Of The Music Festival (PICS)

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Arctic Monkeys performed their first Reading Festival set in five years on Saturday night, however it wasn’t all smooth sailing for Alex Turner and the band.

While they smashed through their hits, giving ‘AM’ the send-off it deserves after a huge two promotional tour, many fans were left disappointed by the sound quality.

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Alex Turner performs at Reading


Arctic Monkeys opened with ‘Do I Wanna Know?’ before upping the tempo and launching into ‘Brianstorm’, but between tracks, fans frequently, frustratedly chanted “turn it up”.

Many festival-goers have also taken to Twitter to share their views, praising the band while criticising the mainstage’s volume levels.










Decked in his usual attire - a leather jacket, skinny jeans and slicked-back hair - Alex led the band through the best of ‘AM’, storming through ‘Arabella’ and ‘No 1 Party Anthem’ and ‘Why’d You Only Call Me When You’re High?’, throwing in selection of older classics for good measure.

While sound issues meant there was little in the way of an atmosphere during slower tracks such as ‘Library Pictures’ and ‘My Propeller’, ‘I Bet You Look Good On The Dancefloor’, ‘Teddy Picker’ and ‘Dancing Shoes’ helped the band get everyone on side again.

MORE READING FESTIVAL: Queens Of The Stone Age Close Day One


After a rousing rendition of ‘I Wanna Be Yours’, their set was almost over and after bidding goodbye, Alex led the band back on stage for a three song encore of ‘One For The Road’, ‘Snap Out Of It’ and ‘R U Mine?’.

Elsewhere at Reading, other highlights included Royal Blood’s afternoon set on the NME stage and Gesaffelstein's star turn on the Dance Stage.

On Sunday, Blink 182 are tasked with the job of headlining, while Arctic Monkeys close Leeds Festival.

See all the photos from day two at Reading below...



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Ed Fringe: Six Days, 21 Shows

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It's easy to find ways to occupy your time at the Edinburgh Fringe Festival - the world's largest arts festival. There are performances taking place from morning until night every day for a month. Some are free, some paid, some are newly "devised" plays while others are stagings of classics. There's a huge offering of stand-up comedy and plenty of serious drama as well. Happily, there are fantastic works of art on display every August in Edinburgh, but the trick is knowing how to avoid the incredibly painful and sad little productions that proudly parade their stab at art while the audience squirms with embarrassment.

Unless you're into that sort of thing.

This year, I spent six days at the Fringe and saw 21 shows:

First up: Away From Home, which I've written about. The show has been selling out. It's fantastic, and Rob Ward's performance is incredible.

Directly afterward, in the same venue, we saw the hilarious Fan Fiction Comedy. The conceit is this: the comedians write new pieces of "fan fiction" each day -in the spirit of the best of fan fiction, the more nonsensical the better. On the day we attended Fan Fiction Comedy, we heard stories of the X-Men doing product endorsements for extra cash, the Expendables as a group of gay dads, and what one author believed is a day in the life of Madonna. There were at least two Sylvester Stallone impressions (don't ask). You get the picture.

Forgotten Voices was a treat to watch and a good way to start our second day at the Fringe. Julian Sands, Robert Vaughn, and other terrific actors perform a staged reading of conversations from World War I veterans. Watching each actor's arc as they discuss how excited they were to join the fight, slowly discovering the horrors of the war, beginning to recognize the humanity of the individual soldiers on the other side, and eventually coming to terms with the war was satisfying for the audience. And the prescient arrival of the Americans, late to the story and still in search of glory, sent chills down the spine.

Broke, produced and devised by The Paper Birds, is a good effort aimed at addressing class and inequality. Actors Jemma McDonell and Kylie Walsh deliver hefty emotional performances. McDonnell is especially impressive in the closing scene as a single mother. Unfortunately, the show seems to conflate the issues of personal debt, national debt, and poverty. By confusing these three very important and very different issues with one another, the show loses some of its power. The artists should be applauded for their efforts in light of the global significance of poverty, debt, and social upheaval, but as someone who works on these issues professionally, I left the show wishing there was a clearer understanding and delineation of these issues. I look forward to seeing more work from them on issues of class and inequality, though hopefully with a clearer understanding of the difference between the class-related issues.

While many shows cost money, we also made sure to visit the Free Fringe, which takes place simultaneously with the paid festival. There are numerous performances with no entry fee, though they do ask for a donation on the way out. Still, it's worth the effort because many comedians are working new and exciting material and the crowd is often rowdy and engaged. It's good - though not necessarily clean - fun. Following the performance of Broke, we headed over to The Southsider, a pub a few blocks south of some of the main venues. They have a back room with free stand-up comedy beginning at 5:45 each day titled the Best of Oh So Funny. It was fun, it was "free," and there were puns. So many puns.

That night we saw Bears In Space. I didn't know what to expect, but I'm glad I saw this show. Who knew puppetry is all the rage? And this puppetry was amusing, the story was engaging, and Bears in Space was just a wonderful way to spend an evening.

We began day three with Dogs of War. The group explored an interesting idea, examining the effects of war on the common man in Shakespeare's histories by piecing together excerpts from the Bard. They managed to create an interesting thematic narrative about the disconnect between those leading the war and the soldiers and civilians' experience during the war. The actors put forward a good effort; a few might have talent, but the direction was shoddy and attempts to incorporate multi-media and movement into the production fell flat. The shaky video camera moving around the stage and projected behind the actors was more distracting than engaging. In the end, the show was disappointing and needed a director to focus the show.

After the letdown of Dogs of War, we were sure we would have a good time at Simon Callow in Juvenilia. We were wrong. The overt sexism and casual homophobia were jarring and exposed an out-of-touch perspective that revealed anything but youth. It fell flat. The rest of the audience seemed to feel the same way, as bobbing heads in the front row expressed an audience-wide struggle to stay awake. The show left me wondering why in 2014 an established artist like Simon Callow would decide to do such a dated show without commentary to show its relevance to today's audience. Self-indulgence is usually painful to watch, but self-indulgence coupled with sexism and homophobia make for a terrible afternoon.

After two disappointing shows, my friend convinced me to go to a "free" comedy show - so I went in holding my nose. I figured the day was cursed. But the free show was more than worth the money. Sophie Wu is Minging, She Looks Like She's Dead was one of the funniest shows at the Fringe! During the hour-long performance, Wu tells the story of her teenage awkwardness and the strained relationships she had with her classmates and mother at the time. Her performance was so engaging that everyone was in stitches. .Sophie Wu is going places and I feel lucky to have seen her at the Free Fringe.

Day Four began with Dalloway, a one-woman show produced by Dyad Productions. Actress Rebecca Vaughun's hour-long solo performance is perfection. Between Vaughun's specificity and the focus with which she defines each character, the audience forgets that she is alone on stage. Vaughun is simply sublime in one of the best shows at the Fringe.

Next we rushed three blocks away to see Grow with Samantha Siddall. We picked up the flyer at a bar near where we were staying and took a chance on it. I'm glad we did. Siddall worked with director Rachel Borgan to develop the 30 minute show. It was staged as a state-mandated therapy session for Siddall's character, a young mother who made a mistake and has temporarily lost custody of her child. Through the course of the play the audience hears about the events that led up to her son's broken leg, a desperate single mother's attempts to be a good parent, and her recognition of her failing and desire to be better. Issues of class and privilege were apparent in this woman's struggle. As I watched, I couldn't help but think about the way America treats poor mothers. After the performance, there was a Q&A session and the entire audience seemed to agree that the show was incredible. Grow had a limited run, which is unfortunate for Fringe attendees. Hopefully they will continue with this story and process to examine the plight of poor, young, single mothers.

After lunch at the Piemaker we strolled over to the Underbelly for The Match Game. The show from Double Edge Drama does a nice job examining relationships today. The premise is this: a state controlled program traps young people in a room for a day with a stranger. They meet a different person every day until they find their match, whom they will marry. The theme of looking for a connection in artificial and forced situations rings true in the era of Tinder, Grindr, OKCupid, and the like. What's particularly charming is that the two leads, who the audience hopes will be placed together, become separately disillusioned over time with the game and as we watch their descent, that difficult-to-kill human hope is awakened. We ultimately connect with the absurdity of the forced game and through disillusionment we find hope. It becomes clear that they may meet tomorrow. The production was solid and the actors talented; it made for a good afternoon.

To end the day we saw one of the oddest shows of our Fringe experience: John Kearns - Shtick. The show was funny, but strange. Kearns spends an hour doing his shtick as an odd person with a strange wig. The most amusing moments come when we realize this character has had these experiences in the real world as a tour guide for school groups visiting the Houses of Parliament! I certainly couldn't complain about the "free" admission.

Day Five began with Government Inspector, of which I've written a full review. The show was absolutely incredible. With near perfect performances, detailed direction, and relevant themes, it's a must for Fringe attendees.

Swimming, a new play by Jane Upton, is a lovely story about three young adults working in a beach café on the Isle of Wight. Jack Bence's authentically blue-collar performance anchors the play, as he embodies both the desires and fears of so many young adults who may dream of more for their life than their small town beginnings portend. Jessica Madsen and Grace Watts provide two different looks at people in pursuit of their dreams, portraying both the courage and distress of leaving the ease and uneasiness of one's hometown. Upton has created a delightful new play that could be a favorite for student and young adult theatre groups to produce for years to come.

Next we went to Danny Deegan From Beginning To End, part of the Free Fringe. The small audience was disappointing because this is one of the funniest free traditional stand-up pieces at the Fringe. Deegan's paid show, with two other comedians, was selling out, but his free show only had a handful of people. Deegan brought the six of us to tears with stories of his teeth and family. Go see this show! It's more fun than a game of Garden Gnomes!

Continuing with the Free Fringe shows, Sarah Cassidy: An Introduction to Twerking is hilarious feminist comedy. That's right, hilarious. With slide shows of dick pics, critical analysis of Miley Cyrus, and discussion of Columbusing, Cassidy's performance is a riot. It's a treat to see intelligent, politically astute comedy. Worth your time!

Dixey: Where the Gentlemen Are Always Immaculately Undressed is a burlesque cabaret show that was interesting, to say the least. The striking thing was that some of the men didn't seem to have any particular talent. With drawn-on abs for the MC and a man prancing around in a unicorn costume, the audience seemed bewildered about what they were watching. The women on the other hand were incredibly talented performers. I couldn't help thinking it might be a commentary on the state of things between the sexes; after all - Ginger Rogers did everything Fred Astaire did, but backwards and in high heels. But this show didn't exactly come together.

We began our final day with Jana and Heidi. The comical mother and daughter show gives you a glimpse into an unconventional and endearing relationship. Jana Kennedy is clearly an experienced comedian with fantastic timing. But one of the highlights of the show is when Heidi, the mother, reads a children's book about sex. This examination of parent-child relationships speaks not just to mothers and daughters, but to any complicated familial tie.

Man Enough, a new drama by Dan Reeves, is a charming and simple play about a young gay man who is willing to overlook the problems in his relationship in hopes of making it into true love. Reeves, Jake Flowers, and Bethan Francis tell the story in a simple and unpretentious manner. The show will resonate with LGBT and straight audiences alike - anyone who has ever ignored obvious red flags in their relationship in the misguided hope that sheer will is enough to make what's impossible become reality.

Margaret Thatcher: Queen of SoHo was the perfect way to end the Fringe. Matthew Tedford gives a 5-star performance as the late prime minister. Through the show, Tedford tells the story of how Section 28, a controversial law passed in the 1980s, prohibits local governments from promoting homosexuality. The show revises the story, putting Thatcher in contact with the LGBT community. She begins to see the error of her ways and by the end of the show the notoriously anti-union politician becomes a member of a union. The show is incredibly well researched, with references and jokes about Thatcher's politics and current day coalitions littered throughout the story. This show is one of those rare productions - it's not only an imaginative, engaging, and entertaining piece of theatre, but it also completely embodies what the Fringe festival is about. The irreverence, the charm, the thoughtfulness, and the timeless humor make Margaret Thatcher: Queen of SoHo a highlight of the 2014 Edinburgh Fringe Festival.

After 6 days and 21 shows, it was a shame we had to head back to America.

We'd just gotten started.

Disability - No Longer at the Fringe of the Fringe

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I'm writing this as I return from my annual trip to Edinburgh's Fringe Festival. I tend to head up for a couple of days each year to catch shows, catch up with colleagues (and this year catch a cold too). Every year, I look to see where disabled artists are in the mix - and this year the spread is impressive.

Over the 20 years I've worked in disability and the arts, there's been a huge shift in the visibility of disabled artists at the Fringe. The venues they perform in are now much more mainstream - in some ways they have to be so many of the others are inaccessible - the pieces are growing in size, scale and ambition and co-productions are really upping the game for many companies and artists.

I managed to catch Theatre Ad Infinitum's Light - not a 'disability' show, just a great piece of physical theatre with intense darkness, innovative use of torches and a stunning soundscape. The involvement of deaf actor Matty Gurney pushed the work to find new ways of storytelling that both match its internal aesthetic and met the needs of the actors - groundbreaking.

Then I saw Unlimited's Backstage in Biscuit Land by Touretteshero aka Jess Thom - a 'must see' experience where tics become surrealism and the audience howl with both laughter and increased understanding (then eat free biscuits) and Moments of Instant Regret (Assembly) - 'sit down' comedy at its best from Laurence Clark who just gets more and more assured in his delivery each year.

I couldn't see everything that was on - I had to miss the Vacuum Cleaner's show Mental (which takes place in a bedroom) and a host of other mental health-related shows and I also missed Caroline Bowditch's Falling for Frida and Claire Cunningham's Give Me a Reason to Live.
So, the artists and the work are shifting the cultural scales in our favour at last - but will the trajectory last long enough to complete the job?

JessThom, the focus of Backstage in Biscuit Land, explains that her show is made possible not only by her natural talent and tics, but also by the National Health Service, the Independent Living Fund (ILF) and Access to Work.

With ILF closing and many artists battling to keep Access to Work support (read about the impact on Graeae, Candoco and Unlimited) the future for disabled artists looks bleaker than it has done for years, despite the increased exposure - and at the very moment when we should finally be riding our wave.

Only last week Access to Work turned down one of our Unlimited artists for support, stating that he is not currently 'economically viable' as an artist - he is lucky, we can pick up the stack for him on this commission but if he were working with another commissioner, could they?

Just as the audience finally wants the work, it's likely that the artists can't make it. ILF doesn't pay for luxuries - just the basic needs that keep severely disabled people independent and able to choose what they do with their time rather than fit into care home provided timetabled options. Access to Work isn't for extras - it covers the real additional costs that having an impairment creates and that no employer could afford long term. When these have gone, so will most of the disabled artists. And then what will I see at the Fringe?

Jo Verrent, is the senior producer for Unlimited, a £2.4 million, three-year initiative to fund disabled artists. This autumn, nine of the fund's commissions will be part of Southbank Centre's Unlimited Festival from 2 to 7 September.

Richard Attenborough Dead: Cinema Legend Lord Attenborough Dies Aged 90

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Actor and director Richard Attenborough has died aged 90, the BBC reported tonight.

Famed for his appearances in The Great Escape and Jurassic Park as well as directing the Academy Award-winning Gandhi, Lord Attenborough died around lunchtime on Sunday, his son said.

The cinema legend has been in a nursing home, along with his wife, for a number of years and has been in a wheelchair since an accident six years ago, the BBC reported.


God: TV's Holy Grail?

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A session about God at the Edinburgh International Television Festival?

Surely not?

"We don't do God" said Alastair Campbell and in recent years most TV commissioners have seemed to agree. Programmes exploring religion and faith have largely disappeared from the commercial channels, leaving the publicly-funded BBC to carry the flame (with quotas to stiffen its resolve).

Yet Friday's Edinburgh session, "God: TV's Holy Grail?", was billed by the Festival organisers as one of this year's hottest debates.


and so it proved. There were feisty arguments about quotas, quality and the definition of religious broadcasting (are comedies such as Rev and Citizen Khan 'religious' programmes?) as well as examples of best practice (The Story of the Jews, The Ottomans, My Brother the Islamist, Richard Dawkins' The Enemies of Reason) and preview clips of The Ark and Simon Reeve's Sacred Rivers.

Chaired by Sian Williams, the presenter of BBC One's Sunday Morning Live, pitted Polly Toynbee, vice-president of the British Humanist association, against Radio 4 Feedback presenter Roger Bolton, a Trustee of the Sandford St Martin Trust, which promotes excellence in religious broadcasting.

Also on the panel were the BBC's head of religion and ethics, Aaqil Ahmed; Ralph Lee, deputy chief creative officer of Channel 4 (which no longer has a head of religion); and the acclaimed screenwriter Tony Jordan who, after EastEnders, Hustle and Life on Mars, wrote The Nativity for the BBC and - coming soon - The Ark, starring David Threlfall as Noah.

So why now?

In recent months, religion has thrust itself onto the national and international stage. When David Cameron proclaimed that Britain was a Christian country - in effect saying "we DO do God" - 55 public figures wrote to the Daily Telegraph accusing him of fostering alienation and division, against the background of turmoil in the Middle East.

Reports that Hollywood had rediscovered the power of Bible stories - with Noah, Exodus and other epics in production - highlighted the success of the TV mini-series The Bible on the History channel, which was America's most watched cable show of 2013.

The return of Rev - the BBC Two comedy about the tribulations of an inner-city vicar and his wife, played by Tom Hollander and Olivia Colman - made the cover of Radio Times and other magazines, as well as a host of features in the national press. Praising it in his Sunday Times TV review, AA Gill criticised broadcasters' failure to engage properly with issues of faith and spirituality.

"Religion has never been more tangible in world affairs and public life" he wrote. "Not having more sensible and serious religious broadcasting isn't modern, it's a failure to face modernity."

Ian Hislop, made the same point in Radio Times. Under the heading "Broadcasters must have faith in religious TV", he said programme-makers and audiences were looking for good stories: "There are few richer repositories of stories than the world's faiths and the extraordinary ways that human beings have attempted to find meaning through them."

So what better time, we thought, for a proper debate in at the Edinburgh International Television Festival, the annual meeting point for 2,000 programme-makers, commissioners and opinion-formers? The organisers agreed - hence this session, which the Sandford St Martin Trust is sponsoring.

The Trust has been giving awards for the best programmes about religion, ethics and spirituality since 1978 - and you can see recent winners and this year's shortlist at www.sandfordawards.org.uk. But it it is fair to say that it has kept its light under a bushel. That is now changing and we are actively promoting excellence in broadcasting in ways such as this. This week, the award-winning BBC journalist and broadcaster Anna McNamee joins us in the new role of executive secretary, to steer the Trust's work in new directions.

Ian Hislop and Rev are both former Sandford prizewinners, demonstrating that the Awards cast their net widely, embracing drama, comedy, current affairs and history, as well as programmes that more obviously tick Ofcom's 'religion' box.

Simon Schama won this year's Sandford TV Award for his BBC Two series The Story of the Jews, and he too has observed how views are changing. He wrote recently: "My generation grew up thinking that religion was completely marginal to British life, which, as for the rest of the world, has been proved more and more wrong..."

Ed Stourton, the presenter of Radio 4's Sunday programme, who chaired this year's Sandford TV panel, praised "some superb entries that take religion out of the ghetto and reflect the way it touches history, current affairs and the lives of ordinary people."

But he told Press Gazette that the British media generally suffered from a 'blind spot' about the importance of religion around the world which damaged its news coverage. He deplored the absence of religious affairs correspondents in national newspapers, following The Times's decision to make Ruth Gledhill's post redundant, and said "religious illiteracy" could lead to serious journalistic mistakes.

"Never ignore the power of religion" Stourton warned programme-makers and policy-makers in an article in the Sunday Telegraph: "You don't have to like religion, but do take it seriously."

Hopefully, after the Edinburgh debate, more commissioners and producers will do so.

'Coronation Street' Star Catherine Tyldesley Confirms She Is Pregnant With First Child

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There's the sound of pitter patter on the cobbles, with 'Coronation Street' actress Catherine Tyldesley revealing she is in the early stages of pregnancy with her first child.

Catherine, who plays Eva Price in the serial, says of her happy news, "it feels one hundred per cent right."

coronation street
Catherine Tyldesley is thrilled to be expecting her first child with boyfriend Tom after a whirlwind romance


The baby will be the first child for Catherine and her fitness instructor boyfriend Tom Pitfield, and is due in March.

Catherine, who has only been with Tom for a short while, said of her exciting year, "If you’d told me that before my next birthday I was going to meet someone as amazing as Tom and that we were going to be planning for our first baby, I would not have believed you in a million years.”

Catherine has been in 'Coronation Street' since 2011. Previously, she played the character Iris Moss in 'Lilies'. She has also appeared in 'Holby City' and 'Emmerdale'.

Before her romance with Tom, Catherine complained in 2012 that she was never asked out, and thought that it could be her character Eva that was putting off prospective suitors.



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