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Why Celebrities Shouldn't be Afraid of Feminism

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Imagine there exists a label for people who are against racism. For argument's sake let's say the label is "NoRacist". It is an eight-letter phrase weighted with hope, promise and a desire for change. But, also, one that only exists because all is not right with the world. You cannot be a "NoRacist" without acknowledging that you are part of a social, economic and political movement for change. You cannot be a "NoRacist" without grasping the gravity of what has gone before. You cannot be a "NoRacist" without understanding that unarmed black men killed by white police officers in the USA - repeatedly - is frighteningly problematic. You cannot be a "NoRacist" without grasping the injustice of your Asian best-friend being spat at and called a terrorist for no other reason than skin colour.

Imagine now that a high-profile figure decides to announce that they're not a "NoRacist". They'd prefer to use a different label. Their label of choice promotes freedom, equality and tolerance. It's just not "NoRacist". It takes the very building blocks of the doctrine, but, for whatever reason, that eight-letter phrase isn't going to work for this particular person. They're against racism, but prefer not to be known as a "NoRacist".

Sarah Jessica Parker is the latest star to renounce the label 'feminist'. She prefers to be called a 'humanist' because she doesn't think it's just about women anymore. *Confused pause*. When has it ever been just about women? Giving strength to one struggle doesn't mean you are against every other. The actress told Cosmopolitan magazine,
I see a lot of people trying to sort out their roles ... People of color, gays, lesbians, and transgenders who are carving out this space ... We would be so enormously powerful if it were a humanist movement.
How exactly would that work? Like one gooey, splodge of porridge we all muck in and protest about the gender pay gap in Hollywood, LGBT rights in the work-place, institutional racism in the police force, bias against short men in the work-place, child miners in the Phillipines? Do we ignore the complexities of each issue and just charge forth shouting "Equality!"? Is that how we solve these deep-rooted problems? SJP is one of many women in the public eye who say 'feminist' is too strong a word to apply to them. I'm all for different brands of feminism. I understand that we must not angrily alienate women who say they're not really into it. But, "I'm all for women's rights, but I'm not a feminist" isn't a brand, it's just nonsensical.

Realistically, I think eschewal of the F word is all about perception. Today's zeitgeist is yesteryear's bullied new girl at school. The great strides forward made by first and second wave feminists also brought along an image of demonic women. Man-hating monsters wanting to exterminate men with the razors they refuse to use to shave their body-hair. Perhaps people are uncomfortable with the manner in which this stereotype might destabilise ones femininity in the eyes of others. But, if the concept of femininity has been moulded by the so-called 'male-gaze' then we have a situation in which women are rejecting the feminist label because of what men think. It's frying my brain.

Today, feminism has assumed a Topshop-esque garb; it has been enveloped into the pop-cult fold. To liken it to a high-street fashion outlet is not to belittle it. This is exactly what is needed. Beyonce's last album featured a track that took an extract from Chimamanda Ngozi Adichie's essay We Should All Be Feminists. Emma Watson, the little girl we saw grow up on the silver-screen, is now the UN Women Goodwill Ambassador and she speaks up for gender equality whenever possible. Lena Dunham, the super-clever and sassy creator of HBO's Girls, somehow also finds time to support women's birth control rights in the US. In the last few days she announced her fledgling newsletter project, "Feminism, style, health, politics: we will strive to bring it all to your inbox..." she told her 1.9 million fans on Instagram. Hopefully, this modern fem narrative will echo in the minds of school-age girls and boys. Particularly, those girls embarking on their chosen career paths. Their path is "always-already" much harder, less equal. I use French philosopher Louis Althusser's "always-already" concept here because it perfectly illustrates the fact that women are on a back-foot as a result of social conditioning. In a nut-shell, he argues that all human beings, even before birth, are "always-already" subjects. Life's social structures are ready and waiting. He also says true autonomy is an illusion. I prefer to be a little less gloomy. If we put the leg work in now, in one hundred years feminism may be a concept looked upon with curiosity and incomprehension. It might be studied with an element of disbelief and pity, with incredulous students shaking their heads as they ask questions such as Did women really get paid less than men for no reason? So, hang on, women were raped and then they got blamed for being raped? Wait... women weren't allowed to be part of golf clubs?

This is why we need feminism. Specifically, feminism.

Is there really a need for people with great popular influence to mindlessly disassociate themselves from a cause? These women are to be respected for their achievements; but something about their decision to declare "I'm not a feminist" just doesn't feel right. It smacks of hypocrisy, a lack of understanding and fear.

P.S. In the last few months I have been on an anti-racism rally, marched with the LGBT community at Pride, given a talk at a school for underprivileged kids, cooked dinner for my boyfriend, worn heels, pouted in the mirror because I like my new lipstick and had my legs waxed. I am also a feminist ... by the way.

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The Art That History Forgot, Remembered

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When most people think of disability one of the groups that come to mind are Paralympians. The 2012 games allowed the public to gain awareness of the sporting prowess of a growing number of disabled sporting stars, and brought many Paralympic sports to public gaze for the first time. I think that this is wonderful, but sadly I feel it has left another group of disabled people that the public should know about remaining unsung; the artists. However this is all about to change.

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In June, the National Disability Arts Collection and Archive was granted funding of £1 million pound by The Heritage Lottery Fund, Arts Council England and Joseph Rowntree Foundation with the goal of creating a permanent archive of the work of disabled artists. You might not know this, but alongside creating high quality, challenging work, disabled artists have been at the center of the campaign for equal rights for disabled people for over forty years, and the NDACA will allow the public to chart this battle and experience over 1000 pieces of art, print and film created to reflect these artists take on our disabling world and the lives they lead. The project will digitally archive these works and then allow them to be accessed to stake disabled artist's place in the history both of the art world and the wider society.

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Pictured with project director David Hevey

The NDACA project director, David Hevey, explained "This HLF and other funding creates a fantastic opportunity to both create the NDACA heritage story, but also to pioneer new ways of telling diverse stories across digital platforms; telling the unique story of the Disability Arts Movement, when disabled people and their allies broke barriers, helped change the law and made great art about that struggle - and now, we are getting that unique heritage story out to millions, going live in 2017/2018. As a media professional, I am delighted to be at the helm of delivering this unique heritage story".

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With Shape Arts CEO Tony Heaton

Tony Heaton OBE, CEO of Shape Arts, a disability-led arts organization that works to improve access to culture for disabled people by developing opportunities for disabled artists, training cultural institutions to be more open to disabled people, and running participatory arts and development programmes, and the NDACA project founder explained the reasoning behind the project, "This is the realization of a dream I first had almost 20 years ago when I started to plan NDACA and began collecting and putting in context the great works of the Disability Arts Movement to ensure the moment was not lost. Now, with HLF support, and Shape the lead partner among so many exciting partners, we are going to preserve and promote that powerful and unique movement - the Disability Arts Movement - for all audiences and for generations to come".

Baroness Jane Campbell, the NDACA Patron and doyen of the disability rights movement, says: "This is exciting news and we are extremely pleased that HLF is funding the landmark National Disability Arts Collection And Archive. In these testing times for disabled people, when disability hate crime is on the increase, assisted-suicide pressures intensifying, and support services diminishing, there is no better time to show that great cultural revolution of the disability arts movement, which NDACA will record and which I am proud to have played a part in".

I too have been active as a disabled artist, performer and musician since the early 1980s, and am overjoyed that the work of so many of my contemporaries, as well as some of my own I hope, will now become available to a wider audience thanks to the funding of the NDACA. I regularly meet younger disabled people who have no knowledge of their history, and I am sure that this project will help going someway to setting this right.

2015-07-15-1436968802-7075444-BeatThatScreenshotS101.jpg Screenshot from my Emmy Award winning TV show, Beat That (C4, 1992)

I was also one of the first disabled people to appear as a TV presenter on mainstream television back in the late 1980s and by the mid 1990s was a regular on the nations TV screens, before having to take time off due to ill health, yet today even people in the media know nothing of this. I am just one in a long list of disabled creatives who struck out, did amazing work and made a name for themselves before being forgotten. The reason why we need to be remembered is not an ego stroking question, although being recognized is always nice, but because if you forget your history you can find yourself repeating it.

Current moves for more diversity within the media make no reference to how far the industry had come towards the end of the last century, because no one remembers. The same goes for the erosion of disabled people's legal rights. The disability arts scene was at the forefront of fighting to gain these rights, but if the battle they so valiantly fought is forgotten so will be the position disabled people used to be in. Disabled artists highlighted issues such as independent living over placing disabled people in care homes, and so it is ironic that the NDACA funding has been announced as the Independent Living Fund, something many artist campaigned to put in place, was being closed down.

Art really can be a force for change, and the Disability Arts Movement is a shining example of this. Now that the NDACA has gained this funding, disabled artists will finally gain the recognition they deserve and the place in the history of the arts... and the UK as a whole.

http://www.ndaca.org.uk/

All photos by permission

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'I'm A Celebrity' 2015: Loose Women's Jamelia 'Set For The Jungle'

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Loose Women’ star Jamelia is the latest famous face to be linked with a spot on the next series of ‘I’m A Celebrity.. Get Me Out Of Here!’.

The singer is reportedly set to enter the jungle, when the reality series returns for its 15th series in November.

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Jamelia


According to The Sun, Jamelia - full name Jamelia Niela Davis - has finally agreed to take part after being chased by producers for seven years.

A source told the paper: “Jamelia is such a great character and won’t be afraid to get stuck in.

"With the ‘Loose Women’ lot behind her she could be a contender for Queen of the Jungle.”


She would follow in the footsteps of seven past and present ‘Loose Women’ stars - Janet Street Porter, Myleene Klass, Kerry Katona, Linda Robson, Sheree Murphy and Jenny Eclair - who have all previously appeared on ‘I’m A Celeb’.

Jamelia’s already had good training for the jungle, as she recently took part in Bear Grylls’ series ‘Mission Survive’, which saw a batch of celebrities learning survival skills in difficult terrains.

The star would be likely to prove controversial in the jungle due to her strong opinions on divisive topics.

She recently sparked outrage when she claimed that high street stores should not make clothes for overweight people, to encourage them to lose weight.

Other stars who have been linked to the new series of 'I'm A Celeb' include Made In Chelsea's Spencer Matthews, US reality star Caitlyn Jenner and ex-footballer Paul Gascoigne.



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'This Morning': Amanda Holden Throws Water Over Stephen Mulhern AGAIN Over Age Jibe (VIDEO)

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It may have been nearly two months since Stephen Mulhern angered Amanda Holden with a quip about her age and penchant for botox, but it seems she is still bearing a grudge.

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The ‘Britain’s Got Talent’ judge threw another glass of water over the ITV spin-off show presenter on Friday’s (17 July) edition of ‘This Morning’, where Stephen was a guest.

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Amanda couldn't resist taking revenge


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Phil was left shocked at Amanda's stunt...


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...And Stephen was left drenched


Amanda first gave Stephen a drenching on last month’s ‘BGT’ final, after he compared her to OAP plastic surgery addict Jocelyn Wildenstein.

And still unhappy with his remarks, Amanda did the same thing on the ITV daytime show, as Stephen chatted to her and co-host Phillip Schofield.







It was previously reported by the Daily Star that Amanda was furious about being embarrassed on ‘BGT’, but Stephen later told heat magazine that she actually took it all in good spirit.

“I went over to Amanda and went, ‘Come on.’ And she literally gave me a kiss and went, ‘Don’t be silly.’ I think that says a lot about her - she’s a very good sport,” he said.

It later emerged that the controversial gag landed him another series hosting the spin-off show, after Simon Cowell was so amused by it.

Stephen told The Sun: “That joke I did with Amanda, that went down like a sack of s***. But Simon does love a bit of controversy.

“If you see a clip of it when it actually went out, he was like a kid in the sweet shop.”




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Ian McKellen Treats Taylor Swift's 'Bad Blood' Like A Shakespearean Soliloquy (And It Is Fantastic) (VIDEO)

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Just when you thought the lyrics to Taylor Swift’s ‘Bad Blood’ couldn’t get any more dramatic, Ian McKellen has only gone and given them the thespian treatment, by performing the song as a dramatic monologue.

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Sir Ian might be best known for his work in the theatre, and he’s currently starring in the film adaptation of ‘Mr. Holmes’, but he’s now proved just how versatile he is, tackling a piece by one of the modern era’s greatest wordsmiths.

Yep, we’re talking about Taylor Swift.

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Sir Ian McKellen gives some great 'serious face' for his 'Bad Blood' reading


The ‘Bad Blood’ lyrics, thought to have been written about the singer’s dwindling friendship with Katy Perry, have never hit so hard as they do in the ‘Lord Of The Rings’ actor’s latest video for Yahoo! Movies.

We particularly like the dramatic “hey!” at the end.

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Taylor as 'Catastrophhe' in the 'Bad Blood' video


Things take an even more ridiculous turn when he decides to take on Mark Ronson and Bruno Mars’ hit ‘Uptown Funk’, reciting: “Girls hit you hallelujah, woo, ‘cause uptown funk gon’ give it to you, ‘cause uptown funk gon’ give it to you”, with all the gusto of “Is this a dagger I see before me?”

Ian’s famous BFF, Sir Patrick Stewart, also gave his own interpretation of Taylor’s ‘Blank Space’ for NPR, and by the looks of things she was suitably impressed.




Continuing the love-in, he replied:




The ‘Bad Blood’ video has already gone down as one of 2015’s most impressive efforts, with Taylor rounding up a host of her famous friends, including Lena Dunham, Cara Delevingne, Selena Gomez and even Cindy Crawford, to appear in the action-packed clip.

Listen to Sir Patrick's interpretation of 'Blank Space' below:




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‘Top Gear': Fancy Yourself As A Presenter? Here's How To Apply For The Job...

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‘Top Gear’ bosses have launched the search for the next member of their presenting team, sharing details of how members of the public can apply for the chance to front the show.

So, do you love vehicles almost as much as you do your family members? Think you can tolerate spending days on end with Chris Evans? Then step this way…

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Chris is on the hunt for some colleagues...


Fans who fancy themselves as the next James May or Richard Hammond - or Jeremy Clarkson, if a fracas over cold meat is your sort of thing - have until 20 July to submit their applications for the job.

Budding stars need to make a 30-second clip of themselves, that displays enthusiasm for all things motoring.

The ad explains that all submissions should feature “you and you alone to camera. No cars, no stunts, no gimmicks. Being like you think you might be on ‘Top Gear’. That's it. Anything else will not be viewed.”

*reverses homemade car-come-8-seater-speedboat-meets-caravan-that-is-actually-a-bicycle back into the garage*

It’s expected that the final ‘Top Gear’ presenting team will include three hosts, with a number of celebs being considered for the role, according to reports.

Suzi Perry and Jodie Kidd remain favourites for the job, though the Beeb are staying silent on who’s landed it, for the time being.

Meanwhile, Jeremy, James and Richard are getting used to life after ‘Top Gear’.

Jezza recently completed his final lap of the show’s famous circuit, and Richard’s clearly dealing with things well, if his plans to go into space are anything to go by.

See all the details on how to apply for the ‘Top Gear’ job here.



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Ian McKellen Admits He Tried To Talk Patrick Stewart Out Of Playing Captain Jean-Luc Picard In ‘Star Trek: The Next Generation'

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We really can’t imagine anyone but Sir Patrick Stewart playing Captain Jean-Luc Picard in ‘Star Trek: The Next Generation’, but if his friend Sir Ian McKellen had his way he would never have steered the Starship Enterprise.

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Sir Ian has admitted he advised his friend, and ‘X-Men’ co-star, against taking the part on the TV series and subsequent movies, despite it becoming one of his most well-known roles.

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Sir Ian and Sir Patrick


Sir Ian tells Uproxx.com, "I've known Patrick since the 1970s. I was the guy who, when he told me he'd been offered this series called Star Trek, advised him to think hard about it and probably not do it."

Sir Ian went on to justify his advice, explaining that he thought it would limit his friend and fellow actor from doing anything else.

"Well, that's seven years of your life,” he explained. “You're stuck in Hollywood and you can't do a play. And that was a disadvantage.

“It was one of the cons, but there were too many pros. I'm glad he didn't take my advice."

As are we.

Meanwhile, both Ian and Patrick have been feeling the love from none other than Taylor Swift after the pair both gave their own interpretations of two of her hits.

Taylor took to Twitter to thank the actors after watching their own unique renditions of ‘Blank Space’ and ‘Bad Blood’.

“Thanks for reciting my lyrics, @IanMcKellen and @SirPatStew! You've made my day. You two are ULTIMATE Squad Goals,” she tweeted.

Unable to contain his excitement, Patrick went all fangirl on Taylor, tweeting her back: “OMG I DIE!!! (no really, I might. I'm old.)”




Amazing.



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Radio 1 and Radio 2 Are Much-Loved - Listeners Should Decide Their Future

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Never underestimate the power of good radio. It provides a soundtrack to our lives, keeps us up to date with events, offers companionship, opens our minds to new music and ideas and entertains us endlessly. BBC Radio reaches nearly three quarters of the UK population every week. Those people have a range of great radio to choose from - I started my career in commercial radio and know how good it can be. But with all that choice, millions of listeners choose BBC radio.

So it was surprising to read the headlines today suggesting that two of the country's most loved stations - Radio 1 and Radio 2 - are under threat.

The source of these revelations is the government's green paper on the future of the BBC. It is a paper that raises many pertinent questions about the BBC - and ones we are keen to answer. But it also raises questions of Radios 1 and 2 that I think have straightforward replies.

The key argument seems to be that it these stations lack 'distinctiveness'. The shorthand we often hear - Radios 3 and 4 embody public service broadcasting whilst Radios 1 and 2 are easily replaced by commercial counterparts - is wrong.

Take Radio 1. It informs, educates and entertains 10million young listeners a week. It offers daily news (up to six times more news per week than its commercial competitors), regular documentaries (rarely heard on commercial networks) and social action campaigns, highlighting issues like online bullying and teenage suicide. In fact, we estimate around 40% of Radio 1's daytime output is speech - twice as much as comparable commercial outlets.

In music, it creates the hits others play. Around two thirds of its daytime music is new, with over 60% from UK artists. Acts like Jake Bugg, Royal Blood and Florence and the Machine have all benefited from the early support of Radio 1 at the start of their careers, and have gone on to achieve great UK and international success. These are just some examples - no radio station has done more to support new and UK music over its near 50 year history - it is the envy of the world and remains at the top of its game.

Our analysis shows that half the songs played on Radio 1 & Radio 2 in daytime weren't played on any comparable station. Across June 2015, Radio 1 played around 4,000 different tracks compared to around 400 on Capital. Less than 10% of tracks played by Radio 1 could be heard on Capital.

Alternatively, look at Radio 2. It is Britain's most popular station, but it is vastly different from anything else.

It broadcasts current affairs in primetime on Jeremy Vine, offers 200 hours of religious programmes (like Good Morning Sunday) every year, 115 hours of arts each year, it champions children's storytelling in its breakfast show and around half its total output is speech - compared to around 20% on commercial stations.

Our research shows about 60% of the songs Radio 2 plays in daytime are not played on any comparable station. As such, Radio 2 plays a greater variety of music than any other music radio station in the UK.

And it offers an unrivalled breadth of music - more than 1,100 hours of specialist programmes per year, including regular programmes on folk, show tunes, blues, country, soul, jazz, orchestral and organ music. No one else can come close to this commitment.

Both stations drive growth in British music; they discover and promote new British music talent and exposure on our airwaves drives music sales. More than half of the music recordings played on British radio or TV last year were only played by the BBC. Through our new music scheme, BBC Introducing, we help create tomorrow's stars. The initiative has over 100,000 registered unsigned acts and 500,000 tracks uploaded to its website. It is recognised across the UK Music industry as a vital part of the A&R process from the heads of all the major and independent labels. In fact, the BPI has said; "the BBC is a fundamental part of the ecosystem for British music and for UK creative industries as a whole [and] a critical part of the success of British music"

But more importantly, the two stations entertain large audiences. The BBC's mission is to entertain as well as to inform and we should challenge the idea that being popular and being distinctive are mutually exclusive. It's always been the case that the BBC makes the good popular and the popular good and that couldn't be clearer than on Radios 1 and 2. Their ability to reach a wide audience with quality programmes is entirely in keeping the BBC's mission to serve everyone - as well as being a massive boost to British music.

The other question the paper raises is whether there is too much 'crossover' between Radio 1 and 2.

Let me clarify. We monitor this within the BBC and this is regularly scrutinised by the BBC Trust. In June 2015, there was less than 10% overlap in the music played by Radio 1 and Radio 2.

Radio 2 has 15million weekly listeners and Radio 1 around 10million. However only 2.6m listeners listen to both station. That means 83% of Radio 2 listeners don't listen to Radio 1 and 73% of Radio 1's audience don't tune into Radio 2.

The stations are completely different and have been growing further apart in recent years. Radio 1 is singularly focussed on its young audience and reaches more than a third of the nation's 15 to 24-year-olds, while Radio 2's average age has remained above 50 and reaches 3.6million listeners aged 65 and over. Switch between the stations in the morning and you will go from Clara Amfo to Ken Bruce - two shows that illustrate how different - and distinctive - the two stations are.

We welcome the debate about the BBC and the questions it raises. But the discussion must be well-informed and should recognise the unique roles these stations play in British life and the invaluable support they offer to the UK music industry. Ultimately, the decisions made about the future of the BBC have to be in the interests of licence fee payers - like the millions of listeners who make Radio 1 and Radio 2 part of their daily lives.

This is a critical moment in the BBC's history. So it is vitally important that if you feel strongly about the BBC, you speak up and add your voice to the debate.

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20 Years Ago Today... Robbie Williams Quit Take That, Broke A Million Hearts, Lost £1Million And Made Mark Owen Cry

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20 years ago today... Robbie Williams broke a million hearts, when he officially said goodbye to Take That.

Robbie announced his departure on this day in July 1995, but the writing had been on the wall for a while with friction between him and his bandmates Gary Barlow, Mark Owen, Jason Orange and Howard Donald.

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Robbie Williams was one of the founding members of Take That, but he left acrimoniously in 1995


According to the documentary 'For the Record', Robbie had been unhappy with his musical ideas not being taken seriously by lead singer Barlow and Nigel Martin-Smith, because his desire to explore hip hop and rap conflicted with the band's usual ballads. Barlow explained in interviews that Williams had given up trying to offer creative input and merely did as he was told.

Robbie later told BBC Radio 4 Mastertapes that he neither left, nor was sacked, it was a combination of both.

"It was a bit of both. At the time I was drinking really heavily - and very young," he remembered.

"I said to the boys, 'This will be my last tour.' We went for a curry the night before everything happened and we were taking a competition winner for a curry. It mustn't have been a very nice evening for them!

"I went back to the hotel and got drunk again, got up the next day, went into rehearsals and I wasn't in a very good way."

He continued: "During the afternoon, Jason Orange said, 'Bob, we need to sit you down and have a chat.'

"'So you're going to leave after this tour and what we've decided is, we think it's best you go now, so we can prove we can do this as a four-piece. What do you think?'

"That was the opening of the door. That's all I needed."

If fans were desolate, so were his former bandmates, with Mark Owen later telling a chat show about the last time he cried, "When Rob left."

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Robbie Williams was reunited with Gary in 2010


But, if fans might have thought that was the beginning of the end for their favourite band, actually it just turned out to be a gigantic pause. Although the band split the following year, they reformed in 2006 and enjoyed an incredibly successful comeback with hits including 'Patience', 'Shine' and 'Greatest Day'.

And fans' hearts were finally healed completely when Robbie came back into the fold in 2010, joining the other four to write the album 'Progress', which they went on to perform on a massive tour, incorporating hits from all the different eras of Take That and Robbie's respective careers.

These days, the band are a three-piece of Gary, Mark and Howard. Jason left last year, and Robbie continues his solo career, although he recently admitted he previously retired for a while... and nobody noticed. Last month, he attended a gig of his former bandmates at the O2 Arena, and paid tribute to this with this pic...




Click here for our top 5 most traumatic band split press conferences... which one left you the most bruised?



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Amy Schumer And Jimmy Fallon Conduct (Hilarious) 'Emotional' Interview On ‘The Tonight Show' (VIDEO)

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Amy Schumer is currently busy promoting her film ‘Trainwreck’, meaning she’s just about everywhere at the moment.

But while many celebs would, quite frankly, be grating on us by now, Amy’s antics mean we still want her be our BFF.

In her latest TV appearance, on Jimmy Fallon’s US show, the comedian was on fine form yet again, taking part in an ‘emotional interview’ with the host.

The skit saw Jimmy and Amy responding to each other while adapting to random, surprise emotions. You know, common feelings such as confusion between ‘pilots’ and ‘pirates’, and being uhh, horny and scared simultaneously.

In short - Amy, can we be best friends now? Pleeeease?

Watch the 'emotional interview' above…

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Amanda Holden Leaves 'This Morning', Hosting Emotional Final Show Ahead Of Holly Willoughby's Return

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Amanda Holden bid a tearful farewell to ‘This Morning’ on Friday (17 July), as her stint presenting the ITV daytime show came to an end.

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The ‘Britain’s Got Talent’ judge has been covering Holly Willoughby’s maternity leave since last September, but the regular host is readying herself to return to the show, thus marking the end of Amanda’s reign on the daytime sofa.

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Mandy bid viewers an emotional farewell


There were tears aplenty as Amanda bid viewers of the ITV show goodbye and thanked co-host Phillip Schofield.

After being shown a montage of her best bits, Amanda said: “I have to say it's been one of the happiest years of my life. I know it sounds dramatic but I’ve absolutely loved it.”

She added: “I’m going to be watching with you lot, back in my dressing gown!”

She was then surprised by her ‘Britain’s Got Talent’ golden buzzer act, choir Revelation Avenue, who busted out a rendition of Katy Perry’s ‘Roar’ on London’s Southbank.




Holly also made an appearance in a video clip, thanking Amanda for keeping her seat warm.

“I’m very much looking forward to being back in September,” she said.

“Amanda, thank you so much for all your hard work, but now it is time for you to hand me back my silver fox,” she joked.

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Holly Willoughby recorded a video message for Amanda


Her final show also saw her take revenge on her ‘BGT’ co-star Stephen Mulhern, throwing another glass of water over him live on-air, for a joke about her age that he made on the ITV talent show earlier this year.

After the credits rolled, Amanda took to Twitter to share a picture of her amazing farewell cake:




‘This Morning’ will continue to air over the summer with Friday presenters Ruth Langsford and Eamonn Holmes taking the reigns, while Phillip is on his annual summer break.

He will then return to the show along with Holly for a new series in September.

Watch - in our humble opinion - Mandy's best bit on 'This Morning' below...



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Former 'Neighbours' Actress Caitlin Stasey Claims Magazine Axed Her Interview When She Refused To Pose Nude

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Former ‘Neighbours’ actress Caitlin Stasey has accused a magazine of shelving an interview with her, when she refused to do a photo-shoot with them in her underwear.

Since leaving the Australian soap, Caitlin has set up the feminist website Herself.com, which features women from all backgrounds and body shapes posing naked to promote body confidence, including the actress herself.

Caitlin has now said that Good Weekend pulled the plug on an interview they were going to run with her in their magazine about the objectification of women, after she told them she wouldn’t pose in her underwear.

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Caitlin Stasey


Expressing her anger in a string of tweets on Thursday, she wrote: “Good Weekend magazine suddenly doesn't have the space to run a piece on me because I wouldn't do a shoot in my underwear.”













Offering his take, editor Ben Naparstek told Mashable Australia: “[It] would have been a classy shoot with a leading American fashion photographer in line with the beautiful artistic imagery she’d published of herself on Herself.com, which she’d just launched.

“We decided not to pursue the shoot when her agent offered us access to existing portraits instead. But with the Herself.com peg no longer as strong, we chose to delay the profile until later in the year so it could be tied to the new seasons of her series Please Like Me and Reign.”

However, Caitlin has insisted this is not the case, claiming she’d been told that her interview was shelved due to a “lack of space”.

Sharing excerpts of emails between herself and Ben, who she accuses of lying about her agreement in the photo-shoot, she added:










Caitlin has previously spoken out on several high-profile feminist issues, and is a strident supporter of the free the nipple campaign, which has previously had backing from celebrities such as Madonna, Miley Cyrus and Chelsea Handler.



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Arnold Schwarzenegger, Joely Richardson Behind The Scenes For Zombie Thriller 'Maggie' (VIDEO)

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The film 'Maggie' has already caused ripples Stateside, not just because of another striking performance from the blossoming Abigail Breslin, but from a complete career-defying turn from Arnold Schwarzenegger.

'Maggie is the directorial debut from British director Henry Hobson. Abigail ('Little Miss Sunshine') plays a teenage girl in the Midwest, infected by an outbreak of a disease that slowly turns its victims into cannibalistic zombies.

Arnie, iconic for his beefcake roles from 'Terminator' to 'Total Recall' plays her loving father, who stays throughout by her side. The film also stars British actress Joely Richardson.

In our exclusive feature above, we hear from Arnie and Joely about playing support in this surprise hit...

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It's Arnie, but not as we know him...



'Maggie' is in UK cinemas from 24 July. Watch the trailer below...



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'X Factor' 2015: Cheryl Fernandez-Versini Reveals Her Plan To Shake Up Show's Categories

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Simon Cowell has already made some dramatic changes to ‘The X Factor’, but if Cheryl Fernandez-Versini gets her way, there could be even more to come.

SEE ALSO:


The talent show judge has called for her boss to mix up the show's categories, in order to make the live stages of the competition more exciting.

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Cheryl Fernandez-Versini


Under Chez’s plan, each judge would mentor an act from each of the Boys, Girls, Over 25s and Groups, rather than looking after each group of contestants exclusively.

She told Radio 1’s Newsbeat: "I think it's far more exciting, not just for us as judges but also for the viewers at home. You're never going to have a runaway category, because they're always like, 'Well, the girls are obviously the best.'

"They might be like, 'Ooh, Rita's got the best boy, but Simon's got the best girl, and Nick's got the best group, but Cheryl's got the best over'."


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The 2015 'X Factor' panel


While Simon has already unveiled the biggest changes to the series, with Dermot O’Leary, Mel B and Louis Walsh all axed and replaced with Caroline Flack, Olly Murs, Rita Ora and Nick Grimshaw, there are still reportedly more format changes afoot.

It has been claimed that the Judges Houses stage will be aired live this year, as the judges pick their top contestants to take through to the finals.

The ‘X Factor’ is set to return to ITV in the autumn.



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James Bond 'Spectre' Release Date Confirmed, With World Premiere To Take Place On Same Day

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The latest James Bond film, ‘Spectre’, has been given its release date.

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In a first for the franchise, it will receive its world premiere on the same day the British public first get to see the film.

‘Spectre’ will open in cinemas across the UK and Ireland on Monday 26 October 2015, with its worldwide release following on 6 November.

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'Spectre' is set for release on 26 October


The film is the 24th in the 007 franchise, and the forth to see Daniel Craig take on the role of the MI6 agent.

He will be joined in the cast by Ralph Fiennes and Christoph Waltz, Léa Seydoux, Naomie Harris, Ben Whishaw, David Bautista and Monica Bellucci.

It was recently suggested that Adele was about to go for the ‘Bond’ double, by recording the theme to ‘Spectre’.

She won an Oscar, Grammy and Golden Globe for her song ‘Skyfall’, which served as the soundtrack to the 2012 film as the same name.



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Film Reviews: 13 Minutes - The Wonders - The Salt of the Earth - True Story

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Oliver Hirschbiegel's 13 Minutes relates the fascinating story of Georg Elser, the man who nearly killed Hitler - The Wonders (Le Meraviglie), Alice Rohrwacher's captivating take on a family fighting to preserve a traditional rural way of life - The Salt of the Earth, Wim Wenders memorable and fascinating portrait of the Brazilian born photographer Sebasiao Salgado - True Story limps along without the expected tension from a face-to-face psychological duel between journalist and multiple killer.


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Director: Oliver Hirschbiegel
Cast: Christian Friedel, Burghart Klaubner, Katharina Schuttler, Johann von Bulow
Genre: Drama
Language: German with English subtitles
Country of Origin: Germany 2015 116 mins.
Certificate: 15
Rating: ****

Meticulously planting a bomb in the Munich Burgerbraukeller prior to Adolf Hitler's anniversary speech on the 8th November, 1939, Georg Elser (Christian Friedel), a carpenter from Koenigsbronn in Baden-Wurttemburg became the man who missed killing Hitler who left the hall 13 minutes before the device exploded killing seven people. Arrested at the Swiss border with a map of the Burgerbraukeller and detonators, Elser found himself in front of Arthur Nebe (Burghart Klaussner), Head of the Criminal Police in the Reichssicherheitshauptamt and the Head of the Gestapo, Heinrich Muller (Johann von Bulow). A brutal interrogation revealed nothing and even convinced Arthur Nebe that Elser was a lone wolf. Hitler insisted that he was part of a communist plot and demanded a signed confession.

13 Minutes is a fascinating story told in flashbacks from 1932 and is well shot and edited with a strong lead cast and an authentic period feel. Placing Elser's relationship with married Elsa (Katharina Schuettler) as the focal point at the expense of an examination of Elser, the man, his flirtation with communism and opposition to National Socialism detracts and questions remain. A post script's offered but why wasn't Elser executed after his confession and what happened to Elsa immediately after his arrest?

Released 17th July

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Director: Alice Rohrwacher
Cast: Sam Louwyck, Alba Rohrwacher, Maria Alexandra Lungu
Genre: Drama
Language: German, Italian, French with English subtitles
Grande Prix 2014 Cannes International Film Festival
Country of Origin: Italy, Switzerland, Germany 110 mins.
Certificate 15
Rating: ****

Shot by cinematographer Helen Louvart in a neorealist style, Alice Rohrwacher's unique and utterly captivating coming-of-age tale of a family fighting to preserve a traditional rural way of life has a mesmerising, surreal dream-like quality that places mood over formal plot.

Wolfgang's (Sam Louwyck) 12 year-old daughter, Gelsomina (Maria Alexandra Lungu), the eldest of three sisters is heir to a rural bee keeping kingdom on their small holding in the countryside between Umbria-Lazio and Tuscany. Life's hard, money's short, their neighbours use pesticides, new European laws are a burden and Gelsomina lives with the constant fear that she'll forget to change the bucket that collects the precious honey from the centrifuge. When Gelsomina comes across a camera crew filming an advert for 'The Countryside Wonders,' a surreal TV show that offers cash prizes to those who represent a traditional agricultural family, she's fascinated by the host, Milly Catena (Monica Belluca) in her Felliniesque costume and decides to enter the contest against her father's wishes. With her secret in place, Gelsomina has to contend with her father agreeing to take Martin (Luis Huilca Logrono), a 14 year-old deeply traumatised German boy from a rehabilitation programme. This is a summer of change for Gelsomina and her family.

There's a mesmerising quality and strength to this quiet, poignant and captivating reflection on the loss of old rural ways with a young cast who are natural and vibrant.

Released 17th July

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Director: Wim Wenders, Juliano Ribero Solgado
Genre: Documentary
Language: English, Portuguese, French with English subtitles
Country of Origin: France, Belgium, Italy 2014 110 mins.
Un Certain Regard 2014 Cannes International Film Festival
Certificate 12A
Rating: ****

Wim Wenders camera pays tribute to the renowned Brazilian born photographer Sebastiao Salgado whose black and white images have documented many of the major events of the 20th century. From the iconic images of Brazil's Serra Pelada gold mine to the horrors of Rwanda and Congo, Salgado has witnessed and chronicled not only world events but the beauty and diversity of the planet. Told through Salgado's son, Juliano Ribeiro, Wender's offers a memorable and fascinating tribute to a great photographer.

Self-imposed exile in Paris in 1969 and the gift of a camera from his wife Leila, saw Selgado, an economist leave his job at the World Bank to begin his life's journey with a camera. With Leila, the driving force in Salgado's career and the freedom and desire to travel the world his sensitive and beautiful images capture life in all its forms. Witnessing the horrors of Rwanda and Congo in the late 90s, 'My soul was sick' led to his return to Brazil and the family farm rich in childhood memories. Deforested and a shadow of its former self, Salgado formed the Instituto Terra and undertook the task of returning the land to its subtropical origin but his camera is never far away.

Released 17th July

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Director: Rupert Goold
cast: James Franco, Jonah Hill, Felicity Jones
Genre: Drama, Thriller, Mystery
Language: English
Country of Origin: USA 2015 99 mins.
Certificate 15
Rating: **

Fired from the New York Times magazine for fabricating a story about slavery in Africa, investigative journalist Michael Finkel (Jonah Hill) retreats to the the comforts of Montana and his girlfriend Jill Barker (Felicity Jones) to ponder on his future. The wake up call comes when Pat Frato (Ethen Suplee), a reporter on the Oregonian phones asking about his relationship with Christian Longo (James Franco), who was arrested in Mexico and charged with killing his wife and three children. Why did a multiple killer wanted by the FBI use Michael Finkel's identity?

The story centres on a series of face-to-face encounters and the manipulative psychological game play between the Longo and Finkel, looking for a way back in. UK Theatre director Rupert Goold offers a technically well shot film but what should be a tension laden psychological duel allied to a drip feed insight into the motives and lives of journalist and killer has script limitations and limps along to a court room designed for accused multiple killers to practice facial contortions. And why sideline Felicity Jones who's the best part of the movie?

Released 17th July

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All Hail Queen Caitlyn

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Yesterday the world was talking about the momentous moment Caitlyn Jenner accepted the Arthur Ashe Courage Award at the ESPY Awards on Wednesday night. It was a raw speech delivered with honesty and passion, it captivated everyone watching it and had many of us in floods of tears.
Caitlyn has really taken to the pedestal and made a stand for the transgender community, bringing awareness to the issues surrounding us. In my previous blog I was explaining how so many Trans are victims of hate crime and how we don't like to feel like victims. I feel that in this speech Caitlyn made she really brought it to the attention of people that it's not fair for the younger generation to have to face the scrutiny that we as a community have faced for many years. She said "if you want to call me names, make jokes, doubt my intentions.. GO AHEAD. Because the reality is.. I CAN TAKE IT. But for the thousands of kids out there coming to terms with who they are, they shouldn't have to take it!" and that was what really stood out for me.
Being Trans isn't a choice; do you really think anyone would choose to face the affliction that we are put through by society? No. being Trans is to do with how you feel and feelings are not of choice. I whole heartedly stand by the people saying that what Caitlyn is doing is brave and courageous because it is! Of course anyone transitioning would love to do it away from the attention of people but it takes a lot of balls for people like myself and Caitlyn to put our lives and transition out there for people to see, in hopes that people will understand and give younger people transitioning an easier time and role models that they can relate to.
Theres many out there that are saying that Caitlyn's transition is all to do with publicity but either way for the world to see the reality of her transition is making people understand that being trans isn't a choice. All hail Queen Caitlyn.

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How Embracing Your Background Can Empower Your Life: May J. Talks About Her Mixed Race Heritage, Music, and Pursuing Her Dreams.

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Achieving a dream career requires determination and drive, and when we look towards success it's easy to forget that our histories are much more than just old distractions and challenges. Mixed race singing superstar May J. however has certainly not forgotten her roots. Her musical upbringing and multi-cultural heritage proudly serve as key influences in her career today; inspiring her unique direction, musical style and positive outlook on life.

May J.'s music style is as unique and as it is eclectic. Her repertoire includes classic ballads, many of which are Japanese translations of English language classics, and fresh tunes with flairs of modern J-pop, classic J-pop, and RnB. "I don't really have one genre. I don't like to categorise my music".

As inspirations for her work, May J. credits both Eastern and Western musical influences. "I listen to a lot of Disney. My favourite Disney song is "A Whole New World" from Aladdin." May J. also takes inspiration from many of the great divas such as Christina Aguilera and Mariah Carey, as well as stars from her home turf like Hikaru Utada and Misia. Perhaps her most well known song internationally is her Japanese rendition of the Disney Frozen song 'Let It Go'. After its tremendous success, May J.'s fan base has widened considerably. "Now at live shows, I see fans of all ages. I see kids as young as three with their mums, grandmas and grandpas!" May J. is indeed very at home on stage. She says that her proudest moments are when she is performing, "when I feel my audiences connecting with my music".

May J.'s passion to make music also stems back to her upbringing. Growing up in a musical family and taking up the piano at age 3, May J. made it her life goal to be a musician. She got her big break at the tender age of 14 after a successful audition with Sony, but it wasn't plain sailing after that. May J. had to leave her Japanese school and join an American international school so she could simultaneously study and work on her music career. Balancing her budding career with homework was often hard. "I write my own songs, and I'd often have deadlines for music and homework at same time! It totally paid off though, and I'm glad that I never gave up."

May J.'s drive, ambition and determination to make it in the music industry may have started young, but given the chance she maintains that she would have began her career even sooner. "Growing up I took opera and voice lessons every week. I wished that I could make my own music and release it [When I was younger] but it took a little bit of time because of my Japanese school".

Growing up in homogenous Japan, May J. says she had no problem fitting in. "I was never bullied, and I enjoyed being mixed race. My friends wanted to learn languages from me! I grew up in a multi lingual household and would speak Japanese, English and a little bit of Farsi". For those who experience prejudice for their race, May J. said, "Being mixed [race] is special. That's who you are. Don't feel like you're different, [but] remember that you don't have to be like everyone else. Believe in yourself."

Growing up in a multi-cultural as well as multi-lingual household has benefitted May J.in ways she never expected. In addition to her well established music career, May J. is also the presenter of NHK WORLD TV's J-MELO, the only Japanese music show to broadcast in the English language. "I never thought that I'd be a TV host. It's not my main thing. I appeared on J-MELO in 2008, and the producer thought that I would suit the show." May J. loves both her careers as a musician and a presenter. "I find presenting very helpful for myself as a singer. I get to meet different musicians and artists that I wouldn't have the chance to". When asked if she found two demanding careers hard to balance, she said "I don't feel like I'm balancing jobs [because] the jobs are very related."

It's clear that May J.'s career in on the up, with her latest EP due to be released on the 5th August. "There are four songs in it. The main song is called sparkle, and it is going to be the theme song for the Nintendo 3DS game Disney Magic Castle My Happy Life 2." May J. wrote the song in both Japanese and English, and hopes to someday release the English version outside of Japan. May J. also has further dreams and goals, "I'd love to come back to London, eventually I'd love to do a world tour."

May J.is a pleasure to speak with. She is obviously hard working, comfortable in her own skin, and embraces her multi-cultural background and past experiences to inspire her music in the present and empower her life. A key message she wishes to share with her listeners is one that she clearly practices as well as preaches. "Never give up and keep doing what you believe. Believe in yourself and anything can happen." As Walt Disney said, all our dreams can come true if we have the courage to pursue them.

May J.presents J-MELO - the world's only Japanese music show - on NHK WORLD TV every Sunday at 16:10 BST.

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Creativity and Age

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Venice at Dawn, © Anthony Epes, 2015

I think there is this weird idea floating around that creativity is a young person's game, particularly certain genres of creativity (photography and music for sure). That somehow you are at your peak creatively in your twenties and thirties, and then it's downhill from then on. I think that's insane.

Some of us can find the courage for creativity when we are young, and for others it takes years or decades to turn onto this path. Some find creativity but not their voice when they are young, and age brings a settling into themselves and an ability to reveal something unique. For me as a photographer, I could certainly say that I had a good eye when I was young, that came quite naturally. But it took me many years to find my voice and my style. And longer still to find a place for that in the world.

I would like to say with certainty that the ability to be creative increases as we become older and wiser. It should, given the experiences we build up, but it's not automatic. Age can actually bring about the reverse effect, and make us more fearful and less creative. More aware of the passing of time, more aware of what we haven't achieved (that we thought we should have), more aware of the things we do badly.

"No, that is the great fallacy: the wisdom of old men. They do not grow wise. They grow careful." Ernest Hemingway, A Farewell to Arms


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Venice at Dawn, © Anthony Epes, 2015

However, age is never something to hold us back. If you don't do it now, then when? When you are younger? We are all able to bring something new to this world, that will create bursts of recognition and connection with someone else. It just takes courage, even if that courage comes and goes, as it does with most of us. I suppose it's a little bit like a wave that you ride.

There are many great artists and writers who came to their practise later in life, and still had stunning success. And we can use that to spur us on. But recognition from others shouldn't be the driver. That's not the true gift of creativity.

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Venice at Dawn, © Anthony Epes, 2015

Creativity doesn't have to have any purpose. It doesn't have to go anywhere. Of course, if you want it to there is so much to do - the opportunities available to us artists are, I believe, the 21st century's best gift. (I will write more about that another day)

Creativity is a release from all that ties us to a life that's lived in habit. It's a reminder to pay attention to what matters most.

It's like bursts of interestingness, jolting us awake and out of our 'to-do list' and our crazy minds that push us into the future instead of allowing us to live in the present.

And it's not just about giving yourself something to do when you retire or as a replacement for your job, it's about weaving into your life a sense of exploration, a way to enhance your life every day. It doesn't matter what age you come to it (15, 45, 85) because at each point in life you have something to reveal, something to explore.

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Venice at Dawn, © Anthony Epes, 2015

Creativity is a way to discover who you are underneath of all of the layers that you've built up in the noise and distraction of your everyday life.

Creativity is about finding a freedom within your life that is unrelated to achievement or productivity. It's your mind being released from daily patterns to wander over the vast plains and mystery of life, in way that is completely unique to you. It is about enriching your life, bringing you a deep sense of joy.

But it's not a freedom whose path comes in a blissful and easy way; it's not a straightforward process. It can feel uncomfortable, painful even. It can confront you with what you're hopeless at or ill at ease with. It can involve vast swathes of boredom, and it certainly isn't always a joyful thing for me. But it has added a deep, rich layer to my life that makes it feel more fulfilling. It's the place I go to often to work things out.

"What's thrilling to me about what's called technique, I hate to call it that because it sounds like something up your sleeve, but what moves me about it is that it comes from some mysterious deep place. I mean it can have something to do with the paper and the developer and all that stuff, but it comes mostly from some very deep choices that somebody has made, that take a long time, and keep haunting them." Diane Arbus


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Venice at Dawn, © Anthony Epes, 2015

Your creativity is waiting to be revealed right now, and that's what I want you to remind you of.

"...Oh my God, what if you wake up some day, and you're 65, or 75, and you never got your memoir or novel written; or you didn't go swimming in warm pools and oceans all those years because your thighs were jiggly and you had a nice big comfortable tummy; or you were just so strung out on perfectionism and people-pleasing that you forgot to have a big juicy creative life, of imagination and radical silliness and staring off into space like when you were a kid? It's going to break your heart. Don't let this happen." Anne Lamott


In my younger years I was really caught up with the prestige of commercial photography - getting cool, flashy clients - until I realised that I wasn't a flashy commercial photographer. My personality just isn't suited to that hustling, cool, vibe. I like going off and wandering around on my own. I am drawn to my own little adventures and making my own projects, that's how my creativity works best and that's how I've created my life around.


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Venice at Dawn, © Anthony Epes, 2015

With age it can be easier to forgo the addictive powers of expectation. You can unmoor yourself from the ferocity of expectation. You can free yourself from how you perceive your life should be, and instead find what is fascinating in what your life actually is.

It takes bravery to step out of the manner in which most of us live and try to look at things in a different way. To look at the morning sunshine and ponder it. To be reminded of the fleeting nature of life and to still look, search, explore and do what makes you truly excited and truly happy. Being creative takes bravery, for sure, but the rewards are beyond measure. It's never too late.

Couple of interesting other things, age related:

**This amazing photo project on older people who've taken up things like ballet when they were 80 and now at 94 dance professionally is really cool.

** I like this theory that your creativity actually starts to decline from the age of five because you don't get to use your creative skills so much when you start school: "The scary coda to this story is that by the age of twelve, our creative output has declined to about 2% of our potential, and it generally stays there for the rest of our lives." So if that's true then we should be at the same creative level at 20 that we are at at 95! Awesome!

**Photographer André Kertész found recognition late in life, but I love that he continued throughout his life to work at what he truly believed in, what interested him and thrilled him. He stayed true to the craft and I love his work, his was amazing a composition.

I would love to hear about what you think. Are you getting more creative? Please comment and let me know.

Happy Photographing!

Anthony

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Emmy Nominations 2015: 8 Things We Learned From This Year's List, Including 'Downton Abbey' Delight And Ricky Gervais' Enduring Affection

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So, the Emmy Award nominations were announced yesterday afternoon, and it was the usual bunch of shoo-ins, gasps and apparent snubs, with an impressive haul of British names in there to boot.

So, in a nutshell, what did we learn about our current preoccupations with the small screen from the names that came out of the envelopes yesterday?

Click here for the full leading nominations list...

  • That it would be downright cruel if Jon Hamm did not leave the auditorium this year without an Emmy in his deserving hand, if not two. He has been nominated a staggering 11 times now - including seven times for ‘Mad Men’, three times for ’30 Rock’ - but is yet to score a single win. Despite his era-defining turn as Don Draper, he’s had the bad luck so far to come up against the perennial favourite Bryan Cranston for ‘Breaking Bad’, a fine Damian Lewis for ‘Homeland’ and even a surprise victor Jeff Daniels for ‘Newsroom’. This year, he’s got Kevin Spacey, Bob Odenkirk, Live Schreiber and Daniels once again in his sights, but it’s the last chance the voters will get to thank him for raising the bar forever when it comes to smoking, suits and suave self-loathing. And with his scene-stealing turn in Kimmy Schmidt given a nod, too, he could just make it a matching pair. Wouldn’t that be sweet?


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    Jon Hamm has one final bite at the Emmy cake after seven seasons of 'Mad Men'


  • That 'Game of Thrones' really is the behemoth HBO believes it to be, with a staggering 24 nominations this year. With even the President enquiring after the fate of Jon Snow and A-listers queueing up for the honour of being sworn at by Peter Dinklage and possibly slain by Brienne of Tarth, this medieval juggernaut shows no sign of stopping. One thing, though - IS there a plan for when the show catches up with the books? No pressure, GRR Martin…


  • That we could get depressed every time we read of yet another inequality in Hollywood, whether it’s salaries, suggested audition outfits or mind-boggling age differences between romantic leads… or we could just sit back and marvel at the current crop of talent being celebrated in the category of Outstanding Lead Actress in a Comedy Series: Edie Falco, Lisa Kudrow, Amy Poehler, Amy Schumer, three-time winner Julia Louis-Dreyfus and the uber-mother, Lily Tomlin. Add to this Tina Fey’s call out in the Guest category, and it’s clear, there are some clever, funny women up front and centre.


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    Julia Louis-Dreyfus has won three times for her role in 'Veep'


  • That the long love affair with Jim Parsons seems to be over. The 'The Big Bang Theory' actor, the highest paid on US television, has won four times in total but failed to get even a nod this year for his geeky role, leaving the door open for nominees including Golden Globe winners Matt LeBlanc and Jeffrey Tambor.


  • That the cigarette paper between streaming services and linear TV has all but evaporated. Amazon’s Golden Globe winner 'Transparent' has earned 11 nominations, including for Jeffrey Tambor and in the comedy series category. Meanwhile, 'House of Cards' and 'Orange is the New Black' are both doing the business for Netflix, and now there’s a newcomer on the comedy block with 'The Unbreakable Kimmy Schmidt'.


  • unbreakable kimmy schmidt
    'The Unbreakable Kimmy Schmidt' is a fresh triumph for Netflix


  • That the wheels of diversity turn slowly, but they do turn with Viola Davis and Taraji P Henson both up for Best Lead Actress in a Drama Series ('How to Get Away With Murder' and 'Empire' respectively). In less favourable news for ‘Empire’, both Terrence Howard and the show missed out.


  • That overseas telly people obviously can’t get it out of their heads that we’ve given up the servants, doublet and hose over on this small isle. While love for 'Downton Abbey’ has almost vanished here at home, it still scoops up the plaudits abroad, with nods for Hugh Bonneville, Joanne Froggatt, Jim Carter and the show as a whole. More understandably, both Mark Rylance and Damian Lewis have been recognised for their sterling work in ‘Wolfe Hall’.


  • ricky gervais
    He can say what he likes, America will always love Ricky Gervais


  • That, even after he’s thoroughly lampooned them in his own awards hosting stints, Ricky Gervais can do no wrong in America, collecting his 22nd Emmy nomination, this time for ‘Derek’. Yes, you read that right.


The Primetime Emmy Awards will be handed out on 20 September. Click here for the full list of top nominations...



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